Friday, February 5, 2010

The Dairy Woman Who Died in My Bed

I opened the door and recoiled in horror.
That was the day my interest in internet dating ended. In fact, you could say it was the day my existence as a normal human being ended.
Like many people nowadays, I used internet dating as a way of meeting people of the opposite sex.
I found it interesting that everyone I talked to, be it coworkers or good friends seemed to concede in hushed tones, grinning sheepishly that yes, because they were lonely or horny or bored they'd given the internet dating thing a try. Whenever I asked a friend where he'd met a girl that I'd never seen before, he'd give a lengthy pause and then reply "Through a friend". It seemed to be society's skeleton in the closet.
I guess we all feel guilty about the social abyss that the internet has created in out lives. But there we are, lying cocooned in our cubicles, composing mental lists of gripes about the personalities of our neigbours, whom when we see them don't have much to offer them except an awkward, muttered greeting. Not really surprising that we turn to the internet to find people we like. If I didn't have such a pathological aversion to commitment, I'd cling to the hope that I'd meet Someone Special. Ah well.
For me, internet dating was primarily a vehicle for casual sex. Every once or week or so I would meet a girl that I met off the net for coffee after work. The process became almost farcically routine. It was probably the fact that everything was reduced to text on a screen that made so easy to hone my efforts. With scientific precision I would test methods of flirting, until it basically became a formula programmed into my subconscious. On one occasion I managed to set up three dates in one evening without it really registering. It only worked with a certain type of girl though: the naieve, suburban, secretary-in-a-business-park-office type. Women with personalities were immune to cliches.
It kept me preoccupied, sane even. When their predictable monologues of work and shopping drifted across the cafe table, I was able to lapse into a blissful, trancelike state. I would emerge, but only to ask the kind of question that would make them talk more. I was at peace in their stream of supre and sportsgirl. Sometimes we would have sex, sometimes I simply couldn't be bothered getting the ball rolling.
I kept this existence of disposable dates going for over six months. Until really weird things started to happen.
I met a girl off the net through my usual charade. She was quite stunning physically: blonde, great figure, wore cute glasses with thick frames. We ended going back to my place. I was feeling unusually horny that day, but this changed incredibly quickly. I ran my hands up her thigh, and felt a weird lump. I looked down and saw a fat, blue tendril like growth protruding from her upper thigh-almost like a root was growing out of her. I don't think I've ever lost an erection so fast.
A parade of women with increasingly weirder genetic defects marched through my life over the next few weeks. A girl with horns on her back; an English backpacker girl with greenish tinged skin that changed to blue over the course of the date.
I was plunged deep into depression. I called in sick from work and spent a week in my flat, not speaking to anyone. Eventually I decided to give it one last try.
Her photo leapt out at me: white-blonde, with model-perfect looks. I flirted awhile, eventually convincing her to come over. The only weird thing about her was that her name was Foccacia-yeah, the bread. I should have taken that as a warning sign.
She showed up on Sunday afternoon, knocking on the door.
I opened the door and recoiled in horror.
The only similarity she bore to her online likeness was her long, blonde hair. The only way I can account for this difference is that she must have used photoshop.
She was huge. Not fat though, more swollen-like a rubbery bladder filled with fluid. Her skin was pale and clammy. Around her face it was limp and saggy, as if she didn't have a skull.
Completely oblivious to my reaction, she greeted me and heaved herself onto the couch like a dying jellyfish landing on the bottom of the Mariana Trench.
I sat as far away as I could from her, keeping my eyes focused on the TV as she talked incessantly about her utterly banal existence. She didn't seem to care that I didn't reply at all. Her presence had a bizarre effect on me. I felt like no matter what I did, I was absolutely powerless to remove her from her flat. I felt like crying.
So I did the only thing I could do
"Uh, listen...I'm really tired, I had a really full on day. I think I'm gonna head off to bed"
"Okay" She said, giving me a vacant smile.
I shut the bedroom door behind me, breathing a sigh of relief. I was across a threshold impregnable by the bloated entity in the lounge.
I was drifting off to sleep when I heard the door open. The bed undulated as she laid her bulk down beside me. I moved over as far as I could without falling off. A liquid warmth began spreading through the bedclothes, making them sticky to the touch. There was a smell like rotten cream.
I'm not sure whether I fell asleep or lost consciousness.
When I awoke, the bedclothes were drenched with a sticky substance. I got up and found myself ankle deep in a cloudy white liquid. Yellow blotches floated on the surface, like oil on water. As for the girl, there was no trace to be found.
Calmly and quietly I had a shower, then went down the road to my favourite cafe for breakfast. When I got back, the bed was dry and the liquid was gone.
All that remained was the smell of rotten cream.


Monday, January 25, 2010

Unreasonable Rendezevous

It was late evening as I picked my way over the rocks on the shoreline. Often I would have to hoist myself over particuarly large boulders, wincing at the rasp of barnacles under my fingers. A mumbled rosary of curse words escaped my breath when my shoe came off my foot ignored by the balmy complacency of the night air and drowned by the invertebrate symphony of the creatures in the treeline. Using one hand to steady myself, I switched my torch on revealing the rocks sullen and grumpy like mutants caught having sex in a cave.
The torchlight gleamed on the slick skin of large amphibian creatures, bigger than a dog. Silently they scrambled for cover as the torch beam hit them-bright orange, red and blue webbed feet frantically scrabbling for purchase.
Where the hell is Nick? can't we just have dinner in the city for once? what the hell was with that restaurant in the warehouse he took me to last time?
An empty patch of sand is illuminated up ahead by the floodlights used in TV studios. Nick was there, standing in the middle of it, microphone in hand. If there was a curtain behind him it would look like he was about to introduce a ventriloquist or a troupe of midget acrobats.
I was calm and composed. I spent most of the ferry ride calmly directing my anger to a quiet corner of my brain, ignoring the old fisherman mumbling to himself behind me. I would step into the light, happy and pretty and then hug him and give him a peck on his stubbly cheek. I stumble on a rock protruding from the sand. My composure evaporates completely
"What the hell are you doing all the way out here? do you know how long I waited for a ferry? And what the hell are you doing holding a bloody microphone?"
He smiled sheepishly "Sorry honey, I was supposed to interview someone here"
"Interview someone? what about us having dinner"
"Don't panic. I haven't forgotten" He turns in a different direction, addressing people I can't see "Okay guys! looks like he isn't showing up tonight, let's wrap it up. Remember the tarpaulin because he's going to be bringing a lot of fish"
The camera crew was nowhere to be seen, the camera itself lying unattended on its stand staring blankly ahead, the boom mike lying on the sand.
Nick was indifferent and linking his arm in mine he lead me up a sandy path through the woods. Small impish creatures with white sheets over their heads began to gather around our feet.
"Where are you taking me?" I whispered
"Don't worry baby, I know a place"

Sunday, January 17, 2010

Saturday, January 16, 2010

Leave Your Inhibitions at the Coast

DSC_0031 copy
afire
bonfire
psychic lagoon
cloak on the far shore
crag
dune
summer 2010 baby
path
street

Wandering along assorted beaches, Jan '10

Saturday, December 12, 2009

Wetland Ingress





















These photos represent a journey taken through the dark hinterland of southwestern Sydney by Will Treffry, Jasper Rice and a mysterious individual under the alias "Otter". The aim of the journey was to seek out a figure named the oracle who resided in a tract of wetlands outside of Liverpool. The journey was long and arduous. At one point the trio were enslaved in an industrial complex, and suffered indentured labour making copper wiring. They visited the midnight Analog Synthesiser black market in an abandoned bus depot, and were able to acertain the oracle's whereabouts from a bearded man. They wandered through gazebos overgrown with vines, eventually rafting through the wetlands until they came across the oracle's dwellings. He was a pretty cool guy.

Tuesday, December 8, 2009

A Thin, Brittle Wall of Mother Of Pearl

People always say that they would love to write but can never "just sit down and do it"-like its something they have to force out.
For heaven's sake- you're writing, not taking a shit.
The process is entirely different. Rather than squeezing creativity out of yourself, writing is more an exercise in listening to yourself. The creativity is all there: the challenge is actualising it. How do you do that? its easy. The first step is to carry a notebook with you all the time. Whenever you leave the house, make it part of your checklist. Wallet. Keys. Phone. Notebook.
A great idea will always take you by surprise so make sure you have close at hands some means of bringing to life. Another thing-never ever let a good idea get away. Don't think you can write it down later: you'll just forget it.
For me inspiration is always in a state of flux. My thoughts are like a turbulent river, with memories, worries and fantasies writhing against each other. An Idea is a minute gleam in the midst of chaotic coginition. That gleam is the signal for you to spring into action. I always liken the process to smashing through a thin brittle wall of mother of pearl. That's just me.
When you get to the other side, the world suddenly explodes into brilliant colours of inspiration. This is what constitutes an Idea. Break down that wall and you'll have written six pages before you know what's happened.
The other concern that people have is that they won't produce anything "good" when they write. A fundamental flaw in the fabric of our society is how undervalued creativity is. We appreciate the finished products of musicians and artists, but are quick to stereotype the lives they lead as lazy and wasteful, and the people themselves as unbalanced and melodramatic. The dichotomy however between "work" and "creativity" is entirely false.
Exercising ones's creative potential is perhaps one of the most mentally healthy activities one can do. Everyday life (in most cases) does not require any kind of rapport with the more abstract realms of the mind. By being creative you are able to deeply scrutinise your immediate reality and see the surreal lurking behind the shallow facade of the real.
Creative people aren't an elite caste of painters and writers. They are everybody. Unfortunately we are products of a society where the opportunity to be creative is afforded to a few. Furthermore one is confronted with the aforementioned ultimatum of being creative and earning money. You should endeavour to dispel any angst relating to the quality of your work. Write because you want to, write for the joy of being borne away by a passionate idea.
So cancel your appointments, lock your office door and write.

Saturday, December 5, 2009

Movement in Your Brain



Just some stuff I was playing around with